Monthly Archives: February 2012

Chasing the Northern Lights – Aurora Borealis from Tromsø, Norway

Northern Lights Aurora Borealis Norway Tromso Tromsoø Paul Reiffer Photographs Professional Photographer Mountain Night Sky Lyngen Furuflaten Pollfjellet

This is a photograph I never thought I’d get – not only because I hadn’t planned a trip to Norway (the Northern Lights / Aurora Borealis had never been something I thought I would see for myself) – but also on the first dark Friday night there, having spent 4 hours freezing by the side of a lake, they showed absolutely no sign of appearing!

That’s right – less than 30 minutes after getting to Tromsø, a tiny little island in the far north of Norway, we were in our warm snow-gear and heading out with Vidar, a photographer from the area, to try and capture the Aurora on our first night in the country.

Tromso Norway Map IslandNaively, I had always thought that it was a simple task to see the Aurora – surely you just “look up at night”?! Well, no. It turns out you need a few things to fall into place in order to see them: A solar “burp” 18 hours before (it takes that long to reach the earth), a great location as a backdrop, a view of the sky to the north, and most importantly, a clear sky!

Luckily there are a few tools to help predict/plan a trip out to see the aurora, including an excellent site – “Tromsø Live” with webcams, magnetometer readings and geomagnetic trends – all provided to help “Aurora Chasers” make informed decisions.

Magnetometer Tromso Norway 10th February 2012
So here’s the magnetometer chart for the night of the 10th February – the night we landed. And it turns out there was quite a bit of activity between 8pm and midnight (it actually continued until 3am the next morning). So why were we so disappointed, cold and miserable? Well, because it seems there is quite often something which comes between us humans and the Aurora…

Clouds.

Yes, that’s right – this is the only shot of the Northern Lights I got throughout the entire night:

Chasing The Northern Lights Cloud Cover Sky Norway

There were 7 of us in total on the beach, and nobody got more than this glimpse of the Aurora. As a slight positive, at least, at least I got to play with both my Canon 16-35mm f/2.8 L II and Canon 24mm f/1.4 L II lenses in really low light and learn how to change my camera settings in the freezing cold, so I was ready for when the show did appear!


Beyond that, we met some fantastic people and had a great time on the journey at least – however, according to the satellite imagery and weather forecast, the thick cloud was due to stay put. That was the night written off.


We returned, rather depressed, having seen nothing and seriously worried if 3 days was enough to be able to even get a good glimpse of the lights, let alone get “the shot” I’d planned in my mind before we got to Norway.

So this is where our secret weapon – Marcus – came into action…

Marcus specialises in chasing the lights – it’s what he does. Not photography, not tour guiding, he just chases the lights. He knows the weather, the area, the locations and views and the next night we spent nearly 8 hours chasing all over the north of the country (at one point nearly hitting the border with Finland!) with the sole aim of getting us to see the Aurora. After one quick stop about an hour previously, when he thought it was starting (a false start!) we were starting to get that sinking feeling again as we drove through cloud for miles and miles. Then, out of the blue, the van suddenly screeched to a halt and Marcus told us to get out quickly. There it was – the Aurora Borealis was dancing all over the sky right above the road we were on in a clearing through the cloud!

Northern Lights Aurora Borealis Norway Tromso Tromsoø Paul Reiffer Photographs Professional Photographer Mountain Night Sky

Northern Lights Aurora Borealis Norway Tromso Tromsoø Paul Reiffer Photographs Professional Photographer Mountain Night Sky Lyngen Furuflaten PollfjelletCompared to the results of the previous evening, we were ecstatic already. Yes, there were still clouds in the sky and it wasn’t exactly the most idyllic location – but we’d seen them! Now here’s one thing to bear in mind : these photos are between 6 and 10 seconds in exposure, at f1.6-f2.8 and an ISO of 1250-1600. That’s a LOT of sensitivity I’m using from the camera, and this isn’t what your eyes actually see. Yes, you can see the lights (and yes, they move – or “dance” across the sky as part of the show) but if you’re expecting to see a show that’s quite this vivid, I’m afraid you may be disappointed.



That said, it is an incredible experience. The sky literally comes alive – with the magnetic solar storm changing the view above our heads every single second. Not wanting to leave it at this, however, Marcus quickly ushered us back into the van and we were quickly on our way towards Lyngen, east of Tromsø and a view of Pollfjellet mountain across one of the lakes. And what a treat we were given – a show that lasted around 30 minutes, right above the mountain (including the first image in this post).

Northern Lights Aurora Borealis Norway Tromso Tromsoø Paul Reiffer Photographs Professional Photographer Mountain Night Sky Lyngen Furuflaten PollfjelletNorthern Lights Aurora Borealis Norway Tromso Tromsoø Paul Reiffer Photographs Professional Photographer Mountain Night Sky Lyngen Furuflaten Pollfjellet

The mix of streams, “waterfalls” and twists and turns from above was absolutely amazing to see. Granted, the camera can make the show more vivid than in reality, but let’s not forget – these are captures of what was really up there. None of these images have been “filtered”, other than some noise reduction (for the high ISO I was using), and the show really did leave everybody breathless.

So there was our proof – it was possible to see the lights, even when Tromsø itself is souped-in with cloud and snow. After another 2am return to the hotel, just one more thing to do before going to bed : hire a car for our last night – we were going to give it a go ourselves :-)

I found the perfect spot on Google Earth, a lake with mountains on both sides – looking directly north and out of the light pollution of the city – and that’s where we headed at 6:30pm to get into position. It was then that the lessons of the day before came to bite – the snow started falling. Heavily. Really heavily. After a 20 minute wait in position, it was clearly getting no better – so it was into “Marcus mode” we went and time to chase the lights (and the clear sky!).

We’d learnt from the previous evening that if the coast is no good, heading East seems to work. At least Norway has a ton of mountains and lakes, so there’s never really a problem getting a decent backdrop – although after over 1.5 hours of driving we’d still not seen even a flicker of light. Clearings came and went, cloud disappeared, mountains passed by but still nothing. Then randomly, just looking out of the window, I caught a glimpse of something that looked a little more illuminated than the rest of the clouds up there. We stopped in a driveway of a small house and got out to see…

…a show directly over the mountains! We’d done it – all on our own, we’d found the lights :-)  I started snapping.

Northern Lights Aurora Borealis Norway Tromso Tromsoø Paul Reiffer Photographs Professional Photographer Mountain Night Sky Lyngen Furuflaten PollfjelletNorthern Lights Aurora Borealis Norway Tromso Tromsoø Paul Reiffer Photographs Professional Photographer Mountain Night Sky Lyngen Furuflaten Pollfjellet

Although not quite as “dramatic” as the previous night’s show, I have to say these are the shots I’m most proud of. We’d driven for nearly 2 hours into the mountains and almost given up (kind of hoping to bump into Marcus through some freak lucky miracle!) but then it happened for us just in time :-)

After that, we tried pushing our luck a little further by heading back north-west to the location we’d found to begin with. Guess what? We’d absolutely made the right decision – the snow had gotten worse, and nothing was happening in the sky over that area. While sad for those people who had wanted to see it there, the sense of satisfaction that we’d not only chased the lights but found them all by ourselves actually made the whole evening worth it.


What did I learn? Well – the Northern Lights are by no means a guaranteed show – we heard so many people at the airport with sad tales of having been there for 4-5 days and not seen them once. But it turns out, if you’re willing and able to chase after them (and it’s a LONG night!) you can find something quite genuinely spectacular – something that only nature could provide. No, they’re not quite the vivid, saturated, colourful show that photographs portray (mostly due to the fact that our eyes don’t work on a 10 second exposure time!) but it is an amazing sight to behold.

Geomagnetic Activity Tromso Norway January February 2012Oh, and one more thing. Don’t look back. We left on the 13th, having been out looking for them on the previous three nights – it just so happens that following our departure Tromsø experienced one of the most extreme levels of geomagnetic and solar activity it had seen in a long while. On the one hand, the grass is always greener; on the other, I guess it gives me a reason to go back sometime too…!

Hope you like the images, anyway, and a MASSIVE thanks to Vic – what an amazing Christmas present, one I’ll not forget :-)


Paul.


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Can technology make a model? – Photoshop vs reality : who wins?

It’s been a long-running debate: “How much photoshop is too much photoshop?”.

In the same way that the word “text” didn’t used to be a verb, the word “Photoshop” (obviously copyright Adobe) has become synonymous with retouching or “airbrushing” worldwide. As a digital photographer, it’s one of the key tools I use every day, and provides me with a truly “digital darkroom” when it comes to fixing those small imperfections that often appear when you finally get the shots you captured onto full screen. And in this post, I’m going to be brave and put up the before and after shots so you can see for yourselves what goes on in my world of retouching.

So, what prompted me to write about it today? This article from the Guardian, mainly. It relates to the winner of Holland’s “Next Top Model” competition, Ananda Marchildon, having to sue her agency Elite after they cancelled her contract for having hips that were 2cm wider than their specification – despite those hips apparently having shrunk since they signed her straight out of the show.

Some time ago, I noticed a lot of my friends on Facebook were posting links to this (now viral) video – “Fotoshop by Adobé” (interesting way of getting around legal issues ;-) ).

The video points out some of the features of image manipulation programs that have been used since their inception, but most importantly – what happens when they get taken to extremes. The problem is, as a photographer, the line of what is “extreme” is now becoming blurred by the client – not us – as their expectations grow and grow based on what they see in the media. You see, I hear many photographers claim (yes, claim) that they “never use Photoshop” to enhance their images. While that may be true of the particular product name, I can be 100% certain, without a shadow of a doubt, that ANY photographer who brings their work into a digital format IS using some form of image manipulation. How do I know that? – If they weren’t, let’s take the film guys, why would they output the image into printed format from a computer? I mean, if the negative is so perfect, why not just take it to the lab? ;-)

Now, that’s a bit harsh, I know.  But let’s be honest, even if a landscape photographer “tweaks” the saturation/exposure/contrast/level of blacks or highlights in an image, they ARE manipulating what the camera saw, digitally. And in layman’s terms, that’s Photoshopping! So with that sorted out, let’s look at the challenge facing a photographer. To do that, I’m going to pick on two very specific cases.

First off, landscapes (and I’ll use my own images so you can see what I mean!). Now, sunsets do NOT look as vivid on camera as they are often made to in print – so they are often “tweaked”/enhanced a little. Why? Because, weirdly, when your eyes see the sunset your brain actually tells you that it’s more colourful than in reality. Want proof? Set a camera up for “perfect” exposure and colour balance and take a picture of a vivid sunset (with no filters ;-) ). Now compare the image it captures to the one you remember seeing. They’re different. So, we can alter (slightly) the values of the image to bring it back to the vividness of what we intended our audience to experience as if they were with us. Below you’ll find an example of exactly this. It’s subtle (hopefully) and simply brings back the colours that I saw when I was stood looking at the skyline. Of course, some will undoubtedly prefer the original one, but enlarged to several feet across, I can assure you the “tweaked” version is more impressive!

Landscape Photoshop Example of image manipulation contrast saturation - Paul Reiffer Photographer Blog

Now let’s go to the other extreme, my second example : models. Now, I CAN manipulate an image, digitally, to within an inch of its life, and still produce a photograph that looks real. But that’s the problem – so many people do exactly that, it’s hard to believe anything we now see. Correcting imperfections has been going on since the dawn of recorded history. Do we really think a sculptor creating a statue for the Pharaohs would have left in that pimple on his nose, had there been one? Or maybe some of the portraits of the royal families from centuries ago – I dare say the words “off with his head” would have soon followed the unveiling of a painting which incorporated that pesky ingrown hair or shaving cut on the king’s chin… So, the presentation of what we’d like our audience to see (us, looking our best) is nothing new. The challenge is, where does it stop?

Portrait Model Photoshop Example - Image Digitally Manipulated Altered Improved - Paul Reiffer, Photographer

This section of an image was from a shot of a very good model – stunning figure, and beautiful face (no, it’s not from any image in my portfolio, so no point in searching!). The problem is, for the exact pose I wanted, even the skinniest of people would have a slight issue. So, it’s “fixed”. Along with the odd little imperfection in skin tone as well as any lines/bra marks, etc. And to be honest, I don’t believe this is wrong. Indeed, many models now arrive with breast implants – and that means only one thing to a photographer : scars to remove! So yes, they get removed. The challenge is, for all of those people who are out there banging the “natural is the only way” drum, there is the reality of a public who want to see images as they were intended to be seen by the photographer; models/clients who want to look their absolute best – “me on a perfect day” is the phrase I hear quite a lot; and of course the photographer who knows the limits of the human body and sometimes wants to get “that shot” despite those challenges.

But that is where I draw the line. “Me on a perfect day” is a good place to stop, in my book. You see, this is where I believe photographers are getting the heat, incorrectly. Not once have I ever told a model that I will be retouching/”Photoshopping” their images to within an inch of their life. No, for me, the reality is that in every single case it’s the MODEL who asks for that to be done. We can say no, of course, but it is their expectations which seem warped, not the photographer’s limits in photoshop. I’ve been asked to reduce someone from a size 14 to a size 8 before. (Yes, it’s possible and no, I didn’t do it!). I’ve been asked to reshape upper arms because every other image in the model’s portfolio showed them “improved” and therefore mine wouldn’t match. I’ve even been asked to remove a feeding tube scar before now.

Zoo Today Photoshop Disaster Waistline ShadowYou see, in the world we now live in, with the tools that are available – everyone’s expectations have changed. They no longer want to be “them on a perfect day” – they want to be someone entirely different. And in fact, many believe they are. This case with the model in Holland, therefore makes me laugh. I guarantee this agency has models on their books who have “photoshopped 90cm hips” – so something else must have gone on here for it to get to that point, but the challenge remains the same: With expectations getting higher and higher, and tools becoming more and more powerful – where does it stop?

Of course, these things don’t always go smoothly. “Liquifying” people also tends to liquify the background, leaving tell-tale signs. Shadows also seem to be one of the biggest give-aways for when someone’s not exactly playing fair with body shapes (see left!). For those who’d like a chuckle at some of the monstrosities it’s possible to create when the Photoshopping goes a little wrong, check out Photoshop Disasters – you might be surprised!

At some point, could it become pointless photographing a subject – just digitally piecing them together from all the best component parts instead? I, for one, sincerely hope not and will continue producing images from my photo shoots of people simply as “them on a perfect day”.

:-)

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Sculpture By The Lakes – Art by Simon Gudgeon in Dorset

Black Swans - Sculpture By The Lakes - Simon Gudgeon - Dorset Sculpture Park - Pallington Lakes - Paul Reiffer Photographer

It’s funny – as photographers, we always tend to rule out “miserable days”. The sky is dull and grey, no warmth to the light and not even any direct sunlight to cast an interesting shadow. So, having pre-booked tickets to go and visit “Sculpture By The Lakes” – an exhibition at Pallington Lakes by artist Simon Gudgeon – it was with a slightly heavy heart that we set off into the depths of the Dorset countryside.

Thoth - Sculpture By The Lakes - Simon Gudgeon - Dorset Sculpture Park - Pallington Lakes - Paul Reiffer PhotographerIt seems I was wrong. Granted, it was hardly picnic weather – and I’m pretty sure we were the only visitors on the day, but what failed me in terms of weather was more than made up for by the artwork on display. Simon displays his sculptures at his home, despite having pieces in Hyde Park for many years now and running several exhibitions.

The image to the right, “Thoth” is one of the first you encounter, looking all the way down one of the three lakes, and is a great example of the perfect positioning of metal artwork against the natural setting of the countryside and water that surrounds it.

Leaping Salmon - Sculpture By The Lakes - Simon Gudgeon - Dorset Sculpture Park - Pallington Lakes - Paul Reiffer PhotographerBeing a slightly more “scientific” person by nature than an “arty” one, I have to say I preferred discovering the sculptures which used reflection as a key ingredient of their appeal. The Black Swans you see at the top of this post being one of my favourites, followed, a close second by this piece – “Leaping Salmon”. Funnily enough, had the sun been out, I’d not have been able to get such images so in a weird way I’m really pleased it was a “dull day”!

I have to say I was a little torn when watermarking these images. Yes, they’re my photographs, but at the end of the day I’m simply capturing the artwork created by Simon Gudgeon – fantastic artwork that it is. So in the same way that a model can sometimes provide me with a “wow pose” in the studio, these pieces really don’t need anything to make them look good. In fact, there’s a risk I could make them look less enticing than the real thing, which would be a shame!

I’ve included a few more images of some of my favourite sculptures from the day below – but it really is different when you’re actually there so I would encourage anyone to pay a visit to the estate if you get the chance.

First up, below – one of the landmark pieces of the collection: “Search For Enlightenment” – and believe me, the photograph doesn’t do their size any justice. These are stunning, and I can only imagine how they look at sunset/sunrise against the deep copper tones.

Search For Enlightenment - Sculpture By The Lakes - Simon Gudgeon - Dorset Sculpture Park - Pallington Lakes - Paul Reiffer Photographer

Barn Owl - Sculpture By The Lakes - Simon Gudgeon - Dorset Sculpture Park - Pallington Lakes - Paul Reiffer PhotographerSearch For Enlightenment - Sculpture By The Lakes - Simon Gudgeon - Dorset Sculpture Park - Pallington Lakes - Paul Reiffer Photographer

Dancing Cranes - Sculpture By The Lakes - Simon Gudgeon - Dorset Sculpture Park - Pallington Lakes - Paul Reiffer Photographer

Oh, and on a final note – the above, “Dancing Cranes” is installed in Simon’s back garden, slightly away from the lake (but still accessible to visitors). Some people have a pond in their garden. Others, a small fountain. It must be an unusual experience to walk out of the kitchen to be surrounded by a collection of your own 7ft high works of art…!

Anyone interested in taking a trip out there – I’d recommend it (we may even head back there on a slightly warmer day for a picnic next time!). At £10 per person, it may seem a little steep, but it’s worth a look and certainly makes for a pleasant afternoon in the country (especially as there are half-price offers every now and then, but you have to be quick to catch them…!)

I only hope some of these images do the fantastic works of art justice :-)


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